Russian Ballet Bouncing as well as the Twentieth Century

They say that six magnificent ballerina's have marked the progress of Russian Dancing Dancing during the twentieth century. Every with the ballerinas have in some way lay the ground work to the further improvement from the artwork of dancing belly dancing. Each of these dancers has in her own way expressed her own personality, instead of conforming to a narrow technical expert sphere.

Anna Pavlova who certainly was legendary holds a large place among these ballerinas. Despite the fact that she was trained in the strict type in the St Petersburg dancing, she lent wonderful emotional freedom to dancing belly dance and in turn made ballet bouncing more expressive. Pavlova showed the globe that there were various ways of interpreting different pieces.

Anna Pavlova was closely followed by Olga Spesivtseva and Marina Semenova.

She led the way in which being a prima ballerina in the Maryinsky Theatre and contributed towards the preservation with the rich classical heritage and traditions. She produced beauty among the violence and destruction with the times. She was a great tragic ballerina, and she revived the romantic designs of ballet.

Marina Semenova joined the Kirov as it is identified today in 1925 and introduced new qualities into classical dancing dance. She seemed to have endless energy and broad and no cost movements in her belly dance. Semenova's dancing was forceful and joyful, but nevertheless remained faithful towards the classical style. Her model demonstrated that there was limitless possibilities for that classical design even with the new social circumstance.

Galina Ulanova introduced success on the dancing theatre from the 1930's and 1940's with her brilliant performances. She introduced remarkable psychological precision and emotions to all the parts that she played.

Maya Plisetskaya was daring and defiant and she brought with her a radical change in public sentiments throughout the 1950's and 1960's. She had distinctive natural endownments and despite the fact that she remained loyal to the traditions of classical ballet, she by no means restricted herself, and produced about totally free considering because the essential principles for a creative person.

Within the 1970's and 1980's Natalia Bessmertnova marked the new era in classical ballet dancing. Bessmertnova absorbed Spesivtseva's romanticism, Pavlova's musical expressiveness, Semenova's broad dance and the lyricism of Ulanova. Natalia Bessmertnova has brought the art work of ballet belly dance to some culmination. Her belly dancing stands out even against her predecessors, for its individuality and originality.

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