Movie making has always been India’s a sort of cultural revival. India creates movies and at the same time manufactures movies. The difference between the two however lies in the fact that there were and still there are some classy Indian directors who make films not just for the sake of making a movie. They tend to create history for the elite social beings. On the other hand, there are commercial movie makers who tend to manufacture cinema for the entertainment of the general class of people. It should just be a box office hit in the second case.
There was a time in the history of Indian cinema when movie was made keeping in mind all political, social and economical conditions in India. The evolution started with the making of silent films like Raja Harishchandra and Dadasaheb Palke. This silent ice berg was broken with Alam Ara the first talking Indian cinema. Alam Ara broke all records and took the entire Indian audience into the sway of something undiscovered and exceptional.
The period from 1930 to 1940 has been a marked duration in case of Indian movies and cinemas. Most of the movies which were made underwent a tremendous patriotic zeal. One after the other – the Second World War – the Indian Independence Movement and The Partition in Bengal – all had tremendous influence on then movie making process in India. After all it is not easy to flourish with a form of art under a foreign influence. Films like Kisan Kanya and Mother India (the first color film) struggled to exist but were tremendous hit in that particular cinematographic era.
With eminent directors like Guru Dutt, Raj Kapoor, Mehboob Khan, V Shantaram, Bimal Roy, Ritwik Ghatak, Shyam Benegal, Govind Nihalani and Satyajit Ray, Indian cinema ruled on the golden throne for quite some time. These stalwarts produced movies to create history and make the world feel the real element of Indian art, architecture and culture. Films like Pather Pachali, Awara, Kagez ke Phool, Mughal-e-Azam, Pyassa, Do Bigha Zamin and Do Ankhe Bara Haat just rolled the audience with some pure and unadulterated form of entertainment.
After 1960 it was the turn for the modern cinema to show its color. With films like Dewaar and Sholey there was a tremendous hype in the level of entertainment. Amitabh Bachchan was then rolling the audience with catchy dialogues and sensational actions. Most of his films were super duper hit. Modern film directors like Yash Chopra, Salim Javed, Ketan Mehta, Sanjay Lila Bansali and Rituparna Ghosh have much to offer to the modern audience. They are aware of the perfect spices required to prepare the modern cinema menu.
Both nationally and internationally modern Indian cinema has ruled the world with its spectacular music, dialogues and most importantly the social message. Indian cinema has received both national and global felicitation like Film Fare Awards, Stardust Awards, IFA Awards, Global Indian Film Awards and Zee Cine Awards. Satyajit Ray has indeed made us proud by winning the Nobel Prize for his undaunted and incomparable contribution in Indian Cinema. Thus, as long as the human race will exist we will have much to enjoy and learn from the world of Indian cinema and Indian movie making unit.
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